The Starn Brothers have an installation on the roof of the Metropolitan Museum of Art in New York that consists of a hive of bamboo lashed together in an ongoing construction that one is able to wander through.
The project takes a natural weed, bamboo, and cuts it, moves it, lashes it, and fashions it into something belonging to "us", and in doing so appears to summarize our time on earth. A project doesn't have to do much more than that, does it? It is abstract, fundamental to its core, and brings us face to face with our origins, and perhaps the origins of art itself. That it speaks to shelter, a making of place, creative use of naturally occurring materials, and displays our ability to imagine makes it a significant articulation of all that should embody art, without bending to current fashion. That it crowns a museum devoted to the history of art seems all the more fitting, as does the concept of the work; that of a work in progress that the visitor, at the moment of ones visit, experiences to be a whole work, but is only a slice in time of a much longer period that can only be understood with the passage of time, just as those in the museum below, subjected to thousands of years of changing attitudes over just what is "good art".